NUMERO 7
AGOSTO 98
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BOB LANGDON
MY SEXUAL ADVENTURES
WITH JOHN AND YOKO
Mother told me I was a 'pleasant surprise', but
I've always
considered myself a mistake. There is a considerable age gap between
myself
and my two sisters. Susan, the eldest, and I were born a decade
apart and there is an 8 years difference between myself and
Christine. Both my parents are from strict Catholic upbringings,
and the idea of a
piece of synthetic stopping the miracle of conception had
always been
considered a sacrilege.
Soon after Father's death, Mother was forced to embark on a career
to support her brood. Consequently, most of my upbringing was left
to my
sisters and various aunts. My youth is a blur. Most of my childhood
history
is not compiled from memory but from family stories. My favourites
are not
about myself, but rather those of my sister's reckless teenage years
in the
60's and 70's. My own adolescent years pale in comparison.
I've tried to search for an incident or object that would connect
their youth with my own. In that way, my boyhood would seem more
interesting to me. The closest that I've been able to find is a
piece of scratched vinyl: John Lennon and Yoko Ono's Wedding
Album. It touched all our lives, but held different significance
for each. For my sisters, it was an expression of rebellion
and independence. For me, it was sexual awareness.
My family's first exposure to Wedding Album, according to legend,
occurred in 1969 when the album was first released. Susan, in her
goal to
be the first girl at Woodrow Wilson Junior High to own a copy, had
taken a
bus to Passaic to buy it.
My sisters, knowing only too well how strict Mother was, listened
to the album only when they knew she wouldn't be home. On any given
day in
the early 70s, you could walk into my home and find my sisters in
their
psychedelic bedroom, ironing each other's hair and taking tokes
off a fat
joint, while I, under their care, created a perfect world with Legos
in the
living room. Wedding Album played in the background.
It was on one of those given days that Mother had come home unexpectedly.
I was the first to hear her Duster pull into the driveway. I
walked into my sister's room and was assaulted by the pungent smell
of marijuana mixed with spiced incense.
"Get outta here, you roach", Christine spat while passing
a joint
the size of my underdeveloped thumb to Susan. "Didn't anyone
teach
you how to knock?"
"Mommys home", I said with an innocent grin. Both sisters
stared at me with glazed eyes. It took a moment for them to realize
their doomed situation.
"OH SHIT!", they simultaneously screamed. They hopped
around the room like stoned rabbits, lighting matches and extinguishing
the flames at birth. I ran to the living room to greet Mother.
"What's going on here?", Mother screamed ignoring me as
I tugged at
her hairdresser smock. Both my sisters prepared to dart from the
room at
the first sign of punishment. "I leave your brother with you
and this is the garbage that you make him listen to?", she
scolded, acknowledging my presence by cupping my face in her hand
and protectively pulling me to her polyestered thigh. With all the
mayhem involved in covering up the smell of pot, my sisters had
forgotten about Wedding Album playing on their peace sign and daisy
decaled record player.
"What's this trash?", she asked my dumbfounded sisters.
"It's John and
Yoko", Susan replied with an air of salvation realizing that
it wasn't the drugs she was being confronted with.
"It belongs to that Mary Ellen, doesn't it?", Mother asked
refusing to believe that her own girls could listen to such pornography.
"No I bought it at Grants."
"Well, I hope you kept the receipt, because you're returning
it! I don't want to hear this filth in my house again!" Mother
spoke. A new commandment was etched in stone.
That was the last time I heard Wedding Album until years later when
I found it hidden in the back of Susan's closet. By this time, I
was an inquisitive 12 year old and the questions of
sex plagued my thoughts.
Wedding Album supplied me with a soundtrack. I wasn't too clear
on
the meaning, but I knew it was taboo. For me, it represented sex
in it's purest form. It wasn't until years later that I discovered
John and Yoko had
recorded this for peace. As my sisters had done before, I would
listen to
the album only when I knew Mother wasn't around.
I thought that Yoko's screaming was attributed to some sort of
physical pain inflicted by John. As I grew older, that pain became
cries of passion. The child's heartbeat in the background
became headboards being slammed against walls. I imagined
Yoko on her knees in front of John. Yoko on top of John. John on
top of Yoko. To a hormone infected adolescent, the possibilities
were endless.
There was a skip on the record in the middle of Yoko's moans. It
sounded remarkably like a small animal caught in a snare. At times,
I would leave the player's arm stuck on this groove and listen to
her repeated, distorted moan while I stared at her apathetic face
on the album's cover. I saw it as something unnatural. I'd torture
myself by listening to it until I couldn't stop myself from freeing
the player's arm and letting the recording take it's natural course.
Eventually my infatuation with Wedding Album ended, due largely
to pornography and a more mature realization of sex. The last
time I thought of it was on the night of my high school prom. I
had previously decided that this would be the night where
all my uncertainties about sex would end.
I was parked on Garrett Mountain with Wendy, my girlfriend at the
time. We both had quite a bit of alcohol racing through our illegal
veins. Eventually our intimacy progressed. It was Wendy
who suggested that I fuck her. I performed as expected. Somewhere
between her moaning and
repeating my name, I was reminded of Yoko. Her uninterested face
clouded my vision. Her repetitive moan sabotaged my mind. It felt
unnatural.
I pulled out.
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